The UI is adapted for use with the PlayStation gamepad and the PlayStation mouse. Retaliation uses the same control scheme as Red Alert for the PlayStation. It should be noted that both types of Tesla tanks in Retaliation are represented: the prototype based on the Radar jammer from Counterstrike and the final Tesla tank from Aftermath. Specific units such as Volkov, the Soviet Super tank and Allied stolen nuclear armed MiG also appear in certain missions. Special Aftermath units such as the Tesla tank, Field mechanic, MAD tank, and Chrono tank are available in later missions. Instead of the main force deciding the outcome of the war, the player is assigned to a certain auxiliary command - in the Allies' case, an American detachment led by general Carville, while Soviet commander is under the command of general Topolov, both of which have been entrusted with several "secret projects". I find this extremely powerful and emotional #WeMakeEvents - seeking government support from one of the industries forgotten by government - skilled freelancers marching from the UKs touring, festival and event industry on the edge campaigns in Retaliation are similar for Allies and Soviets.
Social media was flooded with messages of support, too.Īlso very moving to see 3,500 tech crew lining the banks of the Thames with their phones lit up red #WeMakeEvents /xoKqaf0coy Many brought speakers and played music – one on Waterloo bridge played ‘Another One Bites the Dust’ by Queen, which drew some ironic appreciation from those nearby. Eventprofs waved their phones, lit with red lights, while cheering and chatting to each other. The mood at the London event was one of togetherness and celebration, although it underscored the financial difficulties and struggles being faced by the events sector. In Manchester, production staff marched their flight cases through city centre streets while wearing red. Last night’s day of action has already drawn media coverage from the BBC and the Evening Standard.Īt the same time across the UK, event venues and landmarks were lit up in red, while marches and demonstrations saw eventprofs coming out in full force. The aim was to draw mainstream media and government attention to the crisis being faced by the event industry. They came from all corners of the events industry, including the live music, festival, exhibition and conference sectors.Ī barge bearing a bright red #WeMakeEvents logo sailed down the Thames, ahead of a boat filled with politicians and journalists who had been invited to attend by the Professional Lighting and Sound Association (PLASA), which organised the day of action. Thousands of event professionals gathered along London’s Southbank last night, Tuesday 11 August, to demonstrate the critical condition of the events industry.Įventprofs in red shirts lined the entire Southbank from Westminster to the Tate Modern, as part of the #WeMakeEvents ‘Red Alert’ campaign.
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